read and returned to
patrick deneen · why liberalism failed
seems like its finally the end, its over—just not in the way
fukuyama would have imagined.
what inspired
pretty much the whole question of whether liberalism is now
surviving on inherited social capital it has spent the last few
centuries liquidating—and whether the terminus is liberation,
atomisation, or simply a great deal of paperwork.
joseph henrich · the weirdest people in the world
the unique peculiarities of the west compared to the rest of the
world, where they came from, and just how much they contributed to
its success.
what inspired
i had long taken western individualism, impersonal trust, analytic
thought and the rest of the WEIRD bundle as more or less neutral
human defaults; turns out we are the strange ones lmao, and the
genealogy of the strangeness explains rather a lot.
steve silberman · neurotribes
a history of autism.
what inspired
read first as history, returned to after diagnosis as something
much more personal: the long and often grotesque institutional
process by which minds like mine became visible, classifiable, and
occasionally permitted to describe themselves.
matt haig · reasons to stay alive
life is always worth living.
what inspired
one of those books whose central proposition sounds almost
insultingly simple right up until the moments in which it becomes
a genuinely non-obvious claim.
joseph schumpeter · capitalism, socialism and democracy
capitalism destroys the old world so productively that it eventually
destroys the sort of people inclined to defend it too.
what inspired
schumpeter was one of my earliest encounters with capitalism
treated not as a static moral arrangement but as a civilisational
process—creative destruction, bourgeois self-liquidation, and all
the delicious ironies downstream.
peter thiel with blake masters · zero to one
the future is already here and only once; just not normally—but
unevenly (pareto) distributed instead.
what inspired
one of my earliest entrances into girard, contrarianism, political
theology and the humanities more broadly, smuggled into my
adolescent brain under the extremely effective false pretence of
being a book about startups.
author lore:
the philosopher disguised as a venture capitalist
adam smith · the theory of moral sentiments
adam smith before the invisible hand was severed from the moral
psychology attached to it.
what inspired
partly corrective reading for the almost comically flattened smith
of public discourse: sympathy, virtue, spectatorship and the moral
furniture commercial society tacitly requires before anybody even
gets to the market.
thomas sowell · knowledge and decisions
society is not a brain and nobody at the centre is secretly in
possession of all its knowledge—awkward news for people whose job
title suggests otherwise.
what inspired
distributed knowledge was already one of the deepest intuitions
beneath my politics; this gave it a language, an institutional
account, and approximately nine hundred new reasons to distrust
tidy centralised diagrams of living systems.
ludwig von mises · human action
all aggregates are, in the final analysis, just people doing things
for reasons; mises then elects to explain this for 900 pages lmao.
what inspired
methodological individualism in its most uncompromising form, and
a useful reminder that abstractions do not act, choose, suffer,
exchange or possess ends—people do, despite economists
occasionally writing as though GDP woke up with plans.
thomas piketty · capital in the twenty-first century
r > g and several hundred years of receipts.
what inspired
i wanted the strongest empirical case for the wealth-concentration
story rather than its twitter simulacrum; also the broader
question of when formally legitimate market outcomes begin
corroding the legitimacy of the market order itself.
karl marx and friedrich engels · the communist manifesto
capitalism's most vigorous hater remains one of its most lucid
admirers; also perhaps the most consequential pamphlet ever dropped.
what inspired
marx is too important to inherit exclusively through either
devotees or people performing disgust at his name. the diagnosis
of capitalism's dynamism is often superb; the eschatology
downstream, rather less harmless.
john stuart mill · on liberty
the liberal case for letting people be wrong in public, weird in
private, and otherwise left alone right up until they start harming
somebody else.
what inspired
free speech, individuality, social tyranny and the boundary
between preventing harm and forcibly improving people—i.e. most of
the liberal questions i keep finding dressed in newer vocabulary.
bryan caplan · the myth of the rational voter
voters can afford to be wrong because the invoice arrives
collectivised.
what inspired
caplan's account of rational irrationality helped make explicit
something i had felt for years: political beliefs are unusually
cheap to hold precisely because almost nobody individually bears
the marginal cost of being spectacularly mistaken.
vaclav smil · energy and civilization
civilisation, but from the perspective of the energy throughput
required to make any of it happen.
what inspired
a useful materialist corrective to my tendency to begin at the
level of ideas: before the theology, institutions and grand
narratives, something still has to power the city, feed the
population and move the steel.
nassim nicholas taleb · fooled by randomness / the black swan /
antifragile / skin in the game
four books on why reality keeps humiliating people who mistake a
model for a guarantee.
what inspired
taleb was formative enough that separating the books feels almost
artificial now: fragility, hidden exposure, optionality, skin in
the game, and the epistemic comedy of people who forecast
consequences borne by somebody else.
jonathan haidt · the righteous mind
we reason mostly as counsel for intuitions that have already
returned a verdict.
what inspired
moral psychology as an antidote to the fantasy that political
disagreement is merely a data-transfer failure; people are not
empty CPUs awaiting the correct facts, alas.
will storr · the status game
everything is status, including the increasingly elaborate
performance of being above status.
what inspired
self-explanatory given roughly half my recent writing: moral
prestige, personal branding, social media, elite signalling,
countersignalling, and all the games which become most potent once
nobody is permitted to admit they are playing.
donald d. hoffman · the case against reality
evolution gave us a useful desktop, not root access to reality.
what inspired
this sits rather neatly beside the entire map-territory fixation:
perception may be adaptive precisely because it conceals ontology,
which is both philosophically thrilling and extremely rude.
bertrand russell · a history of western philosophy
two and a half millennia of western thought, narrated with russell's
characteristic inability to conceal when he thinks somebody is an
idiot.
what inspired
i had accumulated philosophers as isolated islands through essays,
arguments and internet wandering; this was an attempt to finally
acquire the map, family feuds and historical sequence joining
them.
fyodor dostoevsky · notes from underground
the rational actor encounters a man who would rather ruin his own
life than permit the model the satisfaction of predicting him.
what inspired
spite, resentment, self-sabotage and the irreducible remainder
left over after every elegant account of enlightened
self-interest—evil-autism's nineteenth-century patron saint,
perhaps.
viktor frankl · man’s search for meaning
meaning does not make suffering good; it does make it survivable.
what inspired
less as abstract existentialism than as a question i have had
cause to take rather seriously: what remains available when
circumstance has removed comfort, certainty, status and most
ordinary forms of agency.
david foster wallace · this is water
the difficulty is not knowing the obvious; it is remembering it
while stuck in traffic with other people.
what inspired
attention as moral practice, default interpretation as a kind of
prison, and the tiny but real freedom involved in deciding that
somebody else's behaviour need not immediately become a referendum
on you.
seneca and epictetus · selected stoic writings
the obstacle is not under your control; your refusal to stop acting
as though it should be, regrettably, is.
what inspired
stoicism has never interested me much as ornamental ancient
wisdom. it has interested me as emergency architecture:
proportion, self-command, pain, and the retrieval of whatever
agency remains after reality has declined to cooperate.
oliver burkeman · four thousand weeks
the productivity problem is, inconveniently, that you are going to
die—not that you haven't found the right notion template.
what inspired
an increasingly necessary corrective to my old
productivity-maxxing temperament: optimisation can become a very
sophisticated refusal to accept finitude, trade-offs and the
scandalous impossibility of doing every worthwhile thing.
charles petzold · code
how blinking lights become logic and logic becomes the machine you
are currently pretending is magic.
what inspired
part of the software return project at its most foundational:
descending beneath frameworks until representation, circuits,
memory and instruction stop appearing as arbitrary layers and
become one continuous machine.
randal bryant and david o’hallaron · computer systems: a
programmer’s perspective
everything the framework politely hid from you, now with addresses,
caches, processes, and consequences.
what inspired
i could write applications while remaining scandalously abstracted
from the computer actually executing them; this is the remedial
descent into memory, linking, processes, virtual memory and why
innocent-looking code becomes materially expensive.
sandi metz · practical object-oriented design
write objects that know less, ask politely, and do not make tomorrow
pay interest on today's confidence.
what inspired
the difference between code merely functioning and code remaining
hospitable to change—dependencies, messages, interfaces, and the
cost of pretending we already know what the future version will
require.
steven pinker · the better angels of our nature
the graphs go down, violence becomes less ordinary, and the
declinist in me is forced into an annoying meeting with the data.
what inspired
i am temperamentally receptive to civilisational decline stories,
which is precisely why the strongest empirical case against the
uncomplicated version deserves a hearing. progress may be
contingent without being imaginary.
still chewing
jean baudrillard · simulacra and simulation
the map ate the territory, got a linkedin, and began posting thought
leadership.
related:
when hyperreality eats reality
what inspired
the hyperreality essay, obviously, but also the broader horror
that metrics, profiles, institutional language and representations
can cease merely failing to describe reality and begin replacing
the thing outright.
ludwig wittgenstein · philosophical investigations · in progress
meaning is use, which is obvious right up until philosophers isolate
a word from every human practice that made it mean anything.
what inspired
the language side of the hyperreality work, the argument engine,
and my recurring suspicion that many apparently metaphysical
problems begin with words being made to do unpaid overtime outside
their ordinary games.
tom holland · dominion
the secular west finally escaped christianity and, in a fit of
absent-mindedness, took most of christian morality with it.
what inspired
i had been circling the possibility that modern secular morality
is less post-christian than christianity rendered
invisible—metaphysics rejected, moral intuitions retained, and
their provenance forgotten with tremendous confidence.
tim ferriss, after seneca · the tao of seneca
roman letters for when your nervous system has declared the empire
fallen.
what inspired
stoic writing as something closer to first aid than lifestyle
decoration; not a scented quotation about resilience, but a means
of shrinking catastrophe back down to the part of life one can
still act upon.
theodore kaczynski · industrial society and its future
industrial civilisation solved the problem of human power by making
almost everybody powerless before the system granting it.
what inspired
the technological-system question in its ugliest form: tools
become environments, convenience becomes dependence, and the scale
of ordinary human agency contracts even as aggregate capacity
expands beyond recognition.
orbiting
alasdair macintyre · on the pile
modern morality retained all the words, misplaced the grammar, and
now conducts itself mostly by emphatic vibes.
what inspired
this is more or less the master text behind my suspicion that
modern moral argument endlessly invokes inherited conclusions
after discarding the metaphysical, social and teleological
structure which once made them mutually intelligible.
larry siedentop · on the pile
the sovereign modern individual has a suspiciously christian birth
certificate.
what inspired
the genealogy of western individualism, particularly the
possibility that secular liberal personhood did not spring fully
formed from reason but emerged through christian moral innovations
it later forgot.
christopher lasch · on the pile
the self as project, product, audience, and eventually full-time
crisis manager.
what inspired
modernity, personal branding, status performance, institutional
decay and the strange psychic burden of becoming both the
commodity and the consumer assigned to review it. hard to imagine
why this appealed to me.
charles taylor · on the pile
not the story of god disappearing, but of belief becoming one
possibility among many and therefore newly difficult.
what inspired
the immanent frame and the historical production of unbelief: not
'people got smarter and god died', but the much stranger story of
how belief and disbelief both became conscious options requiring
explanation.
david bentley hart · on the pile
god, properly understood, is not a very large object hiding
somewhere inside the universe—much to the dismay of both reddit
atheists and half the christians arguing with them.
what inspired
an attempt to encounter classical theism on its own terms rather
than through the modern picture of god as a celestial super-object
competing with scientific explanations for causal territory.
augustine of hippo · on the pile
one of history's great minds writes a book-length prayer about
memory, desire, sin, and why understanding yourself is not the same
as being able to save yourself.
what inspired
fallibility, grace, confession, pride, memory and the frankly
inconvenient gulf between correctly diagnosing one's errors and
acquiring the power not to reenact them.
émile durkheim · on the pile
society gathers, becomes briefly ecstatic, declares something
sacred, and discovers it has been worshipping itself the whole time.
what inspired
the secular-religion thread: collective effervescence, taboo,
identity and the apparent inability of godless communities to
remain godless for more than fifteen minutes before producing a
sacred object and several heretics.
eric hoffer · on the pile
the mass movement as a very efficient means of escaping the
unbearable burden of being a particular person.
what inspired
political religion and the psychology of self-renunciation:
doctrine matters, but perhaps less than the offer of identity,
absolution and participation in history to people whose private
lives have become intolerable.
eric voegelin · on the pile
when heaven is abolished, politics starts taking applications for
the role.
what inspired
voegelin's immanentised eschaton is dangerously close to becoming
a universal solvent in my head: salvation relocated into history,
politics becoming theology while furiously insisting that it is
merely policy.
james burnham · on the pile
liberty survives not because elites become good, but because no
elite is permitted to become final.
what inspired
elite theory without the bedtime story: organised counter-power,
circulation and institutional rivalry as more reliable safeguards
of freedom than hoping the ruling class experiences a mass
conversion to virtue.
james burnham · on the pile
capitalists and workers kept arguing while the managers quietly
inherited the earth.
what inspired
bureaucratic power beneath the official left-right and
public-private categories; the people who neither formally own nor
merely labour, yet somehow retain custody of every consequential
lever.
christopher lasch · on the pile
the elites secede, retain administrative custody of everyone else,
then pathologise the abandoned for noticing.
what inspired
elite exit without relinquishment of rule: meritocratic
self-congratulation, managerial culture and institutions
increasingly estranged from the populations they continue to
govern in their own alleged interests.
james c. scott · on the pile
the state simplified reality until it became governable, then
wondered why the living parts died.
what inspired
perhaps the cleanest institutional version of my map-territory
obsession: legibility is necessary, powerful and perpetually
tempted to murder whatever cannot survive being reduced to the
schema.
robert caro · on the pile
robert moses discovers that sovereignty can be poured in concrete
and buried inside procedure.
what inspired
power interests me most when it ceases looking like power.
infrastructure, authorities, technical decisions and patient
procedural control can outlast the theatrical politics supposedly
governing them.
antonio gramsci · on the pile
the ruling idea wins properly when it ceases to feel like an idea at
all and returns as common sense.
what inspired
hegemony, language and the pre-political work by which one
worldview becomes the neutral background against which every
alternative is made to appear deranged. cathedrals everywhere,
etc.
carl schmitt · on the pile
the secular state changed the names on the theology and kept the
machinery.
what inspired
sovereignty, exception and the suspicion that modern political
concepts are not secular replacements for theology so much as
theological structures wearing administrative lanyards.
carl schmitt · on the pile
politics begins at the point where 'enemy' is no longer figurative
language.
what inspired
an attempt to identify what liberal procedural language cannot
dissolve: the genuinely political distinction which persists
beneath administration, debate and the hope that every conflict is
ultimately a misunderstanding.
karl popper · on the pile
a politics built around the mildly unfashionable idea that everyone
is wrong, especially the people with a theory of history.
what inspired
fallibilism made institutional: no authorised interpreters of
history, no final political knowledge, and systems designed around
the certainty that rulers and theories alike will eventually need
correction.
friedrich nietzsche · on the pile
nietzsche asks where your conscience came from, who it serves, and
why it smells faintly of revenge.
what inspired
morality not merely as a set of propositions to evaluate, but as
an artefact with a genealogy, psychology and function—what sort of
life produced the value, and what work is it secretly doing?
friedrich nietzsche · on the pile
philosophy with the motives left in and the safety rails thrown
overboard.
what inspired
part of the same suspicion that arguments carry autobiographies
they do not disclose; philosophers describe reality, certainly,
but also very often confess themselves in the shape of the
description.
david deutsch · on the pile
problems are inevitable; the interesting question is whether the
civilisation permits criticism long enough for solutions to remain
possible.
what inspired
an attempt to retain technological optimism and explanatory
ambition without relapsing into the rationalist fantasy that error
itself can finally be engineered out of fallible human beings.
thomas kuhn · on the pile
normal science proceeds peacefully until the anomalies unionise and
the paradigm collapses.
what inspired
models, lock-in, disciplinary perception and the awkward social
process by which evidence becomes visible as an anomaly rather
than politely discarded as noise by the reigning framework.
david chalmers · on the pile
you can explain every function and consciousness remains sitting
there, annoyingly still having the explanation.
what inspired
the hard problem, materialism's explanatory limits, and the
present AI-era temptation to treat behavioural success as though
ontology had already been settled by benchmark.
iain mcgilchrist · on the pile
the map-making hemisphere forgets it was an emissary and begins
issuing decrees to the territory.
what inspired
abstraction versus lived reality, analytic control versus context,
and the possibility that modernity systematically rewards a
partial cognitive style while stripping it of the means to
perceive its own partiality.
martin kleppmann · technical · on the pile
the part of software where the abstractions stop being polite and
admit the data has to live somewhere.
what inspired
the technical return curriculum in one forbidding brick:
databases, replication, partitioning, consistency, reliability and
the systems reality underneath framework-level fluency.